SEEING IS BELIEVING

STUDIES IN QUALITATIVE METHODOLOGY VOLUME 7

SEEING IS BELIEVING? APPROACHES TO

VISUAL RESEARCH

EDITED BY

CHRISTOPHER J. POLE

University of Leicester, UK

2004

Amsterdam – Boston – Heidelberg – London – New York – Oxford Paris – San Diego – San Francisco – Singapore – Sydney – Tokyo

SEEING IS BELIEVING? APPROACHES

TO VISUAL RESEARCH

STUDIES IN QUALITATIVE

METHODOLOGY

Series Editor: Robert G. Burgess

Volume 1: Conducting Qualitative Research

Volume 2: Reflection on Field Experience

Volume 3: Learning about Fieldwork

Volume 4: Issues in Qualitative Research

Volume 5: Computing and Qualitative Research

Series Editors: Robert G. Burgess and Chris J. Pole

Volume 6: Cross-Cultural Case Study

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CONTENTS

VISUAL RESEARCH: POTENTIAL AND OVERVIEW Christopher J. Pole 1

HISTORY THROUGH THE LENS: EVERY PICTURE TELLS A STORY

John Martin and Ruth Martin 9

SNAP HAPPY: TOWARD A SOCIOLOGY OF “EVERYDAY ” PHOTOGRAPHY

Barbara Harrison 23

RECORDING THE “HABITUS” Tim Dant 41

PERFORMANCE, SELF-REPRESENTATION AND NARRATIVE: INTERVIEWING WITH VIDEO

Sarah Pink 61

ON USING VISUAL DATA ACROSS THE RESEARCH PROCESS: SIGHTS AND INSIGHTS FROM A SOCIAL GEOGRAPHY OF PEOPLE’S INDEPENDENT LEARNING IN TIMES OF EDUCATIONAL CHANGE

Pat Allatt and Caroline Dixon 79

IMAGES, INTERVIEWS AND INTERPRETATIONS: MAKING CONNECTIONS IN VISUAL RESEARCH

Alan Felstead, Nick Jewson and Sally Walters 105

v

vi

POWER, INEQUALITY, CHANGE AND UNCERTAINTY: VIEWING THE WORLD THROUGH THE DEVELOPMENT PRISM

Matt Smith and John Donnelly 123

USING VISUALS TO RELEASE PUPILS’ VOICES: EMOTIONAL PATHWAYS INTO ENHANCING THINKING AND REFLECTING ON LEARNING

Andrea Raggl and Michael Schratz 147

THE USE OF THE VISUAL MEDIUM FOR PROGRAM EVALUATION

Rosalind Hurworth 163

ABOUT THE AUTHORS 183

VISUAL RESEARCH: POTENTIAL

AND OVERVIEW

Christopher J. Pole

In assembling a collection of papers which address issues relating to the visual

image as the medium through which we might come to know the social world,

we are in a sense, merely drawing on something that most of us do and take for

granted during all of our waking hours. For most of us, the world in which we

live is experienced through our capacity to see and to make sense of what we see.

At its most fundamental, visual research draws on our basic capacity to interpret

the world through our sense of sight. In this respect, for those of us who are not

in anyway visually impaired visual research might be seen to be little more than

something that we do all the time in order to go about our everyday lives. We

might also argue that all or at least the great majority of social research relies on

our capacity to interpret and to make sense of visual images. This is true not only in

cases where methods of observation and participant observation are used, but also

in respect of the need to read written data of various kinds, to interpret statistics

and merely to orient ourselves within any given research location. Whilst there is

no intention here to deny or overlook the contribution that blind or partially sighted

researchers may make to our understanding of social life through their work with

the written medium or through their capacity to give accounts of their personal

experiences of research sites and locations via other, perhaps more developed,

senses such as hearing, touch and smell, it remains a fact that most social research

relies on the capacity of the researcher to see and to interpret on the basis of what

is seen.